Saturday, July 30, 2011

217. Because I could not stop for Death

Because I could not stop for Death
He kindly stopped for me.
I'd like to give the world a Coke
And keep it company.

No, wait, that's not it.

Friday, July 29, 2011

216. The Theme Song to Gilligan's Island

I heard an interview with Sherwood Schwartz (creator of Gilligan's Island) the other day. He said that when he pitched Gilligan's Island, the network executives were concerned that new viewers would need a lot of exposition at the beginning of every episode or else they'd be confused about who these people were and why they couldn't just leave. Given that the only other real option was a "Previously on LOST..."-style introduction, this was a much more elegant solution.

As a bonus, it's sung to the always-catchy tune of Emily Dickinson's "Because I Could Not Stop For Death."

Thursday, July 28, 2011

215. Jonathan Strange & Mr. Norrell



























Historical fiction about how magic would have changed the course of the Napoleonic Wars. It's also a parable about natural talent versus talent derived through hard work. At nearly 800 pages long, it can be forgiven for having some diverse themes.

Tuesday, July 26, 2011

213. Jurassic Park

The movie that taught us all that dinosaurs don't want to be our friends.

Monday, July 25, 2011

Saturday, July 23, 2011

210. Gargantua and Pantagruel


































Remember in The Music Man when the townsladies are up in arms about the fact that Marian's library has Chaucer, Rabelais, and Balzac? Well, here's the Rabelais they were probably concerned about. A baudy, crude series of comedies about a pair of giants. What an odd thing to have become a literary classic.

Friday, July 22, 2011

Thursday, July 21, 2011

208. The Silence of the Lambs

Horror can be art, too. This one won Best Picture, Actor, Actress, Director, and Adapted Screenplay. It's quite a film. Creepy as hell, though.

Tuesday, July 19, 2011

206. A Haiku

A small hungry child
Told to grind rice, instead
Gazes on moonlight.

-Basho

Sunday, July 17, 2011

204. Hark! The Herald Angels Sing

I know it's not Christmastime, but it's inexplicably stuck in my head.

Saturday, July 16, 2011

203. Radetzky March

It always amazes me how much classical music there is that you couldn't name but you recognize when you hear it. This is Johann Strauss's Radetzky March, which has been making crowds of Austrians rowdily clap to the beat ever since its debut in 1848.

Friday, July 15, 2011

Wednesday, July 13, 2011

200. Aida

I was going to inform you that Aida was commissioned for the opening of the Suez Canal, but apparently that's not true. It was apparently commissioned by Isma'il Pasha (Egypt's answer to Hedonism Bot), just because, hey, why not.

Tuesday, July 12, 2011

199. Juno

Yes, it was hilarious, and you should see it if you haven't. And Aaron, if you're doubting its artistic merits, I'd like to point out that it did win an Oscar for best original screenplay.

Sunday, July 10, 2011

197. American Pie (the song)

Yes, definitely the song. Not the movie. (Not that I've ever seen the movie.)

Saturday, July 9, 2011

196. The Man in the Well

A short story about children cruelly ignoring a man who has fallen down a well. I couldn't find the complete text online, but you can read the first page here or listen to the whole thing here.

Friday, July 8, 2011

195. Watership Down

























It pretends to be about rabbits, but really it's about fascism.

Thursday, July 7, 2011

194. Okami


















A beautiful Japanese video game where you play as a wolf god with a magic paintbrush, restoring prosperity to Japan.

Tuesday, July 5, 2011

Monday, July 4, 2011

191. Born in the USA (the song)
















It turns out that if you haven't listened closely (or aren't a native English speaker) it's hard to tell that this song isn't exactly patriotic. Give it a listen.

Friday, July 1, 2011

188. The Thousand Autumns of Jacob de Zoet




























Another David Mitchell book. Historical fiction about the Dutch trade in Japan at the end of the 18th century. Of course, since it's David Mitchell, he can't stick to just one writing style or genre. My personal favorite touch was the one-sentence haiku-like interludes used to establish the atmosphere for each scene.